Global Festival & Live Event Production Services

As festival season returns, Creative Technology supports some of the world’s most recognised music festivals and immersive live experiences with end‑to‑end global technical production services.

Creative Technology works worldwide to bring big live events to life, supplying everything from sound and video to lighting, cameras, and control systems. From multi‑stage outdoor festivals to complex temporary brand activations, CT brings productions of every scale together through a coordinated international network. CT works alongside artists, promoters, and brands to deliver festival productions that are both reliable and engaging.

At the Brockwell Festival Series in London, spanning multiple weekends in Brockwell Park, the team delivered LED screens, camera systems, media servers, control infrastructure and site‑wide digital totems across several stages. A combination of shared infrastructure and artist‑specific custom builds ensured consistent delivery across events including Wide Awake, Field Day, Mighty Hoopla and Brockwell Bounce, supporting diverse audiences and programming over consecutive weekends.

At Glastonbury Festival, CT delivered technical production across multiple areas of the site. At Woodsies, projection IMAGs and a large LED centre screen supported performances, while IICON saw CT partner with BLOCK9 to create immersive visuals using large‑format projection, media servers, live camera systems, and integrated signal distribution. On the Greenpeace Stage, CT also provided audio, video, and control solutions, working in partnership with Greenpeace, Brighton Sound Systems, and d&b audiotechnik.

Further UK festival delivery included Latitude Festival, where CT supplied LED screens, camera systems, and full video control on the Main Stage. For the first time, CT also delivered both audio and video production on the festival’s Second Stage, creating an integrated approach across sound, vision, and control.

Across sites including Finsbury Park, Marlay Park, Reading & Leeds Festival, and Wireless Festival, Creative Technology delivered large‑format curved IMAG screens, full camera packages, playback systems, and artist connectivity, supporting performances across multiple stages.

At Flow Festival in Helsinki, the team delivered audio, lighting, video, LED, and camera systems across five stages. The largest delivery took place at Silver Arena, where curved LED walls, large‑scale sound reinforcement, and immersive lighting defined the tented venue. Balloon 360 featured CT‑built truss structures and a 360‑degree sound system, while projection mapping created distinctive visuals at The Other Sound stage.

The project involved months of detailed planning, with more than 100 crew members on site and over 20 CT technicians supporting the festival across multiple departments, venues, and performance schedules.

At Tuska Festival, one of the Nordics’ largest metal festivals, CT delivered audio, lighting, video, and stage structures across three main stages. Despite severe weather on the final day, teams adapted operations in real time to maintain safety while ensuring performances continued; demonstrating the importance of experience and resilience in large‑scale live event production.

Festival programmes increasingly extend beyond traditional stages, with growing demand for immersive, brand‑led festival activations that offer audiences more personal and interactive experiences.

At Coachella, CT supported Ed Sheeran’s Old Phone Pub, one of the festival’s most prominent experiential activations of 2025. Built as a fully immersive Irish pub in the California desert, the installation combined live performance, storytelling, and fan engagement, functioning both as a public experience and as the set for Sheeran’s new single release.

Working alongside MKG, Pink Sparrow, and Ed Sheeran Productions, the Creative Technology team delivered video, audio, lighting, and staging support, integrating performance, broadcast, and experiential requirements within a live festival environment.

This project reflects a wider shift in live event and festival production, as audiences increasingly seek focused, experience‑driven moments alongside main‑stage programming, and as brands invest in meaningful, content‑led live engagement.